Chen Mei-Tsen artist
  • ARTIST
  • BIOGRAPHY
  • EXHIBITIONS
  • STATEMENT / CV
  • LINKS / CONTACT
  • IN FLUX (2026-2025)
  • FOUR HANDS WORKS (2025-2017)
  • UTOPIA (2024)
  • RHIZOME (2024-2022)
  • DRIFTING OVER TIME (2023)
  • MAISON (2020)
  • DRIFTING TIME (2020)
  • BLUEPRINTS (2018)
  • INTO THE BLUE (2017)
  • OUT OF THE BLUE (2017)
  • PARADISE (2017-2012)
  • FORMOSA ORCHID (2016)
  • SUTURE (2011-2006)
  • ASTRE (2009)
  • OCULAIRE (2007)
  • PLAT DU JOUR (2007)
  • M COMME MOISISSURE (2005-2003)
  • ASTEROIDES (2004)
  • M COMME MOON (2003)
  • LES PLIS (2001)
  • FOSSILES (2001)
  • LES REPLIS (2001)
SUTURE
leather, cotton thread, staple, old frame, 2011-2006

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Like Pandora’s Box, my framed works simultaneously reveal and conceal folds of skin that unfold like maps inscribed with scars. Carefully stitched or stapled, they compose forms that are both abstract and suggestive, evoking an interior territory shaped by tension, memory, and resilience. These works investigate how emotional experiences leave their imprint on the body, transforming personal histories into a landscape of lived traces.
Email: [email protected]
Facebook: 陳美岑 Chen Meitsen
Instagram: @meitsen668
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Copyright 2026 Chen Mei-Tsen
  • ARTIST
  • BIOGRAPHY
  • EXHIBITIONS
  • STATEMENT / CV
  • LINKS / CONTACT
  • IN FLUX (2026-2025)
  • FOUR HANDS WORKS (2025-2017)
  • UTOPIA (2024)
  • RHIZOME (2024-2022)
  • DRIFTING OVER TIME (2023)
  • MAISON (2020)
  • DRIFTING TIME (2020)
  • BLUEPRINTS (2018)
  • INTO THE BLUE (2017)
  • OUT OF THE BLUE (2017)
  • PARADISE (2017-2012)
  • FORMOSA ORCHID (2016)
  • SUTURE (2011-2006)
  • ASTRE (2009)
  • OCULAIRE (2007)
  • PLAT DU JOUR (2007)
  • M COMME MOISISSURE (2005-2003)
  • ASTEROIDES (2004)
  • M COMME MOON (2003)
  • LES PLIS (2001)
  • FOSSILES (2001)
  • LES REPLIS (2001)